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| Finale Dates for 'Glee,' 'American Idol,' 'Bones' and More | |
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The TV season is just getting started, but today FOX announced the
finale dates for the 2009-2010 season including the end dates for
American Idol, Glee, Bones, and 24.
Shows will start wrapping up in April with the Wanda Sykes show bowing
out first on April 9, while Glee will be the last show to wrap up on
June 8. Seeing that Glee doesn’t start new episodes until after Wanda
Sykes has had her last, the long stretch of finales makes sense.
Here’s the full FOX Finale Schedule:
Monday, April 5
8:00/7:00c - "24" (Back-to-Back New Episodes - Special Time)
Saturday, April 24
11:00/10:00c - "The Wanda Sykes Show" (Season Finale)
Friday, April 30
8:00/7:00c - "House: Broken" (Two-Hour Repeat)
Wednesday, May 5
8:00/7:00c - "Human Target" (Season Finale)
Sunday, May 9
7:00/6:00c - "’Til Death" (Season Finale)
Monday, May 17
8:00/7:00c - "House" (Season Finale)
Thursday, May 20
8:00/7:00c - "Bones" (Season Finale)
9:00/8:00c - "Fringe" (Season Finale)
Friday, May 21
9:00/8:00c - "Kitchen Nightmares" (Season Finale)
Sunday, May 23
8:00/7:00c - "The Simpsons" (Season Finale)
8:30/7:30c - "The Cleveland Show" (Season Finale)
9:00/8:00c - "Family Guy" (One-Hour Season Finale)
Monday, May 24
8:00/7:00c - "24" (Two-Hour Season Finale - Special Time)
Wednesday, May 26
8:00/7:00c - "American Idol" (127-Minute Season Finale - Special Time)
Tuesday, June 8
9:00/8:00c - "Glee" (Season Finale)
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ABC, Touchstone TV and the producers behind "Lost" are actively discussing how and when to retire the hit castaway drama.
According to "Lost" exec producer Carlton Cuse, picking an end date for "Lost" would help the show’s creative team to map the next several seasons as they plot the show’s thick mythology.
"It’s time for us to find an endpoint to the show," said Cuse, speaking Sunday at ABC’s portion of the TV Critics Assn. press tour. "It’s a struggle for us, because we don’t know if we have three years, four years or more to go. If we had an endpoint, then we could figure out where everything goes."
Such a move would placate fans of the show, who frequently gripe that they have no indication whether the show’s ever-increasing mysteries will pay off. A set timetable would send a message to viewers that all of their questions will be answered eventually.
"Once we figure out when that will be, a lot of those concerns will go away," Cuse said. "The worst point is when a show ends and no one cares. We don’t want that to happen. We want to make the shows good for as long as we do the show."
Cuse suggested the show could end once it hits 100 episodes in season five ("Lost" is currently shooting episode 62). But it’s far more likely that "Lost" would continue at least through its seventh season, when the show’s actors current contracts expire.
ABC Entertainment prexy Steve McPherson said discussions about the endgame for "Lost" are ongoing, but no plan has been identified as yet.
McPherson, Cuse and exec producer Damon Lindelof said they were conscious of the need to ensure "Lost" doesn’t overstay its welcome with viewers.
"None of us want to be doing the show that’s the stalling show -- ’We’re building sandcastles this week,’" Lindelof quipped.
Cuse pointed to "The X-Files" as "a great show that probably lasted two seasons too long."
"That show was a bit of a cautionary tale for us," he said.
Determining an end date for a popular franchise isn’t unprecedented; Cuse cited the "Harry Potter" books as a model the show would like to emulate.
"J.K. Rowling announced seven ’Harry Potter’ books, (conveying a) certainty that that story is drawing to a conclusion," he said.
As for this year’s split "Lost" season, McPherson said the net would run all 22 episodes of "Lost" straight through next year, perhaps starting in midseason (a la "24").
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| Daisies, Eli Stone and Dirty Sexy Canceled | |
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ABC has canceled Pushing Daisies, executive producer Bryan Fuller confirms. According to our sources, Eli Stone and Dirty Sexy Money also have been canceled. Reps for both shows have declined to comment. Is the pie-maker dead? Will we ever see him again? According to Fuller, the facts are these: "It’s very likely that Pushing Daisies will end after episode 13, which as you know, is a cliffhanger. But we are talking to DC Comics about doing comic books that will wrap up our storylines, and I already have a pitch for a movie ready to go. "To be honest, I’m really not feeling very boo-hoo about it. I am so proud of the show. We put together 22 really good episodes, and there is a lot to be proud of. I’m sure I’ll be working with a lot of these people again, and I would love to do so." As reported by E! News earlier today, the ratings for last night’s "Oh Oh Oh It’s Magic" episode were the series’ worst ever numbers in the key 18-49 year old demographic.
Edited By Alun - Tuesday May 19th 2009 at 05:46
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| Everwood Season 2 [Finally] Coming to DVD? | |
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When this TV Addict tearfully last left EVERWOOD [on DVD], Colin’s fate was hanging in the balance.
Now, four years later, it is looking like fans who only experienced EVERWOOD courtesy of the magic of digital video disc will finally get the opportunity to find out what happens next.
According to musician Will Derryberry, and confirmed by tvshowsondvd.com,
Warner Home Video is currently in the midst of negotiating all of the
music rights so that seasons two, three and four can make it to both DVD and theWB.com.
Announced Derryberry on his blog yesterday, “SEVEN, and LONESOME will
appear on the WB’s EVERWOOD.” Adding that season two will, “be
available on the DVD and online download release.”
Of course, tvshowsondvd.com is quick to point out, and correctly so, that just because music rights are cleared with one artist doesn’t guarantee that all of the show’s music rights have been successfully negotiated.
Which naturally begs the question. As die hard EVERWOOD fans, what
would you prefer. A DVD release as soon as possible, with certain more
expensive tracks replaced. Or for the WB to simply shelve the series
due to the high cost of licensing the music.
You probably don’t need to be a world class brain surgeon to guess this TV Addict’s answer!
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The Smallville universe is certainly living up to its name a little better with each passing month. In early March, reports surfaced that Smallville mainstays Michael Rosenbaum and Kristin Kreuk, who play Lex Luthor and Lana Lang, respectively, were intending to downsize their roles on the show and begin their post-Smallville careers.
Both actors have reportedly worked out deals to spend less time on the show next season, appearing in a fraction of the episodes they typically act in. This happens to coincide with what is almost certainly Smallville’s final season--its eighth.
While the loss of Lex and Lana would seem to be a deathblow for the drama about young Superman, things got even a bit worse yesterday. The creative duo who started the show, Al Gough and Miles Millar, announced that they are leaving Smallville at the conclusion of this season.
The news came via an open letter on Smallville superfan site Kryptonsite.com.
"After much heartache and debate we have decided it is time for us to move on," reads the letter, which is virtually signed by both Gough and Millar. There is no explanation for the departure, but dissecting the letter cultivates some interesting theories.
While thanking their crew, the two mention "when the knives were out, you always had our backs," which some are taking to mean there was internal drama behind closed doors. They also stress the show’s success and are quick to point out that "[they] never compromised [their] vision." Could network pressure be at the core?
Or do they simply just want to work on other things? The two say, "We can finally focus on features now," giving a clue as to what direction they’re headed (both have plenty of writing credits on movies such as Herbie Fully Loaded, Spider-Man 2, and the forthcoming The Mummy: Tomb of the Dragon Emperor).
It’s currently unclear who will take over the vacated posts, but TVGuide.com says that Smallville writers Kelly Souders, Brian Peterson, Todd Slavkin, and Darren Swimmer will plug the holes.
Requests for comment from the CW were unanswered as of press time. Smallville returns with new episodes later this month.
What do you think, Smallville fans? Is there hope for season eight without all the familiar names?
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The writers strike just might be the best thing to have happened to ABC's "Pushing Daisies."
With its vibrant but intricate production values, the critically acclaimed "Daisies" was falling terribly behind schedule last fall. But then came the strike, a production shutdown and a chance for TV's primetime producers to come up for air.
Now, many of those producers have been handed several more months of deep breaths.
Rather than relaunch rookie shows like "Daisies" this spring, the broadcast nets have decided to give a handful of promising frosh entries the rest of this season off.
The good news: "Daisies" and such fellow newbies as NBC's "Chuck" and "Life" and ABC's "Dirty Sexy Money" and "Private Practice" have already been picked up for next September, so their futures are at least secure (for now).
But that long time off could kill any momentum those promising skeins were starting to generate last fall. And the nets will have to spend more money than usual to relaunch.
"All of these shows were starting to get a foothold, but then they went away so quickly," says "Pushing Daisies" creator/exec producer Bryan Fuller.
The delayed starts of "Daisies" and the other frosh skeins comes at a price: Crew members, who were out of work during the strike, don't yet have jobs to return to. Some have found other work and won't be able to return once the shows do, at least for several weeks.
Fuller says the inability to bring back the crew immediately is "frustrating and disappointing."
"It's one of the unfortunate realities of the strike," says Fuller, who's in constant contact with crew members and plotting out how to eventually get them all back in the fold. In some cases, second-unit crew members will carry the ball for an episode or two.
In the networks' eyes, relaunching these shows next fall as if they're new entries may not be such a bad thing. After a brutal fall -- which saw ratings declines for most of the big hits and no new breakout successes among the rookie class -- webheads were ready for a do-over.
In the case of these new shows, the networks decided that it wouldn't make much sense to bring them back just for five or so more episodes.
"You'd love to have 52 episodes of these great shows and always keep them in front of the conciousness of the viewing public," says Mitch Metcalf, NBC's exec VP of program planning and scheduling. "But the next best thing is to reload for next season and be as strong as we can be when we regroup in September."
Unlike self-starting returnees like "Grey's Anatomy," the frosh skeins are just developing an audience, and would require big-budget marketing campaigns this spring to draw viewers back to the screen.
"You look at the big shows like 'Grey's' and 'Desperate Housewives,' and they have their audience already built in," Fuller says. "We're still earning that. We're a modest success, but I don't think anybody would deign to brag that we're a big hit."
From a creative standpoint, these shows have also stumbled into a rare first-year opportunity: the chance to reassess, early in the show's run, what's working and what's not.
"I like having more time upfront to think about the show, and sit with the writers and brainstorm and freestyle on things without the thundering anxiety of production deadlines," says "Chuck" creator/exec producer Josh Schwartz, "or the stomach-churning, soul-killing ratings game being in play."
On "Pushing Daisies," the extra time off gave Fuller the opportunity to completely rethink where his show was going.
"When you're in the middle of a TV season, you are Indiana Jones, and there's a boulder at your heels," Fuller says of the struggle to keep up with the frenzied pace of a series. "If you stumble, you go squish."
In the case of Fuller and company, that boulder was threatening to flatten them pre-strike.
The frosh ABC skein had earned critical raves last fall for its quirky, colorful take on a pie man who could bring people back to life with the touch of his finger.
But "Pushing Daisies" was also struggling to maintain the high production values of the show's pilot, as directed by Barry Sonnenfeld. It didn't take long for "Daisies" to go over budget and fall dramatically behind schedule. Warner Bros. TV even yanked Sonnenfeld off directing more episodes, then reinstated him (but by then his schedule had filled up).
"We needed a longer post- production time than we initially anticipated," Fuller says. "We were bumping against air dates, and were hemorrhaging money to pay for accelerated post production costs."
At the same time, the show's storyline was heading toward a direction that ultimately wasn't right for the show -- but there was no time to push "Daisies" on the right track.
For the final pre-strike episode, which aired Dec. 12, Fuller managed to throw in a cliffhanger, in case the episode wound up doubling as a season finale.
That reveal -- that the woman Anna Friel's character thought was her aunt (Swoosie Kurtz) is actually her mother -- originally was going to be resolved midway through season one. Now, it will inform much of next season's direction.
"The time off during the break allowed me to rethink where we were going and flush out a more dramatic story," Fuller says. "It came out of a realization that if that's our cliffhanger, it couldn't go the direction it was going. Now it will have a much broader impact on the characters and the series. It's much richer than the original plan."
Now, with production resuming in June, Fuller says he expects "Daisies" to move forward at a more normal pace.
Ditto Schwartz, who says "Chuck" will head back into production in May, giving the show eight weeks to plan the season.
"It may not be the luxurious cable schedule, but it's a more humane version of the broadcast network schedule," Schwartz says.
The extra hiatus has also given Schwartz a chance to spend more time on his other show, the CW's "Gossip Girl," which immediately went back to work in order to crank out new segs this season.
"It made for a smoother transition for me out of the complete brain paralysis that was the strike," he says.
Same benefit is also being felt by Shonda Rhimes, whose "Grey's Anatomy" is back to work, but "Private Practice" won't be back on air until fall; and Greg Berlanti, whose "Dirty Sexy Money" won't be back until fall (but whose "Brothers & Sisters" returns in spring).
Frosh skeins aren't the only ones getting a break. Heavily serialized entries "24" and "Heroes" are also being held for next season ("24," until January) because of the inability to produce enough episodes before the end of the year.
Both of those shows are also taking advantage of the extra time to craft their complicated plots.
Meanwhile, the shortened season hasn't been good news for bubble shows, some of which went off the air with the strike and won't come back. Skeins like CBS' "Moonlight" and the CW's "Reaper" are going to be waiting an awful long time to hear their fates; normally, had their back nine episodes not been picked up, they would have had a pretty good idea by now.
Indeed, with such an unusual season, it will never be known for sure how skeins were helped or hurt by the work stoppage. "Daisies," for example, could have turned into a megahit in the spring -- or been slaughtered by "American Idol," which has a reputation for killing promising scripted series in midseason.
"This was the best possible result," he said. "We look at this year's nine episodes as a 'teaser season.' ... It's a huge risk, but then it falls in the network's hands to really support the show and relaunch it. They made such a spectacular investment in the show creatively that I have every confidence they'll continue to stand behind us."
Of course, with so much extra time to plot out season two, the pressure's on to show that the hiatus was well spent.
"Being off the air for so long means we have to come back focused," Schwartz says. "No sophomore slumps allowed."
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Posted By - Wednesday March 12th 2008 at 09:45
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USA has pulled the plug on its original series "The 4400" after four seasons.
Series creator/executive producer Scott Peters confirmed the news in a posting to the USA Network forum yesterday:
"It’s with great sadness that I pass along to you the information I’ve just received -- The 4400 has been cancelled. We’ve had a great time bringing you this story and submersing you in the lives of all these incredible characters. Thank you especially to the folks on the board here whose tireless devotion to the show is nothing short of remarkable. Shout out to Bubba, by the way! I love your posts, man.
I just spoke to Joel and we had a great talk about what we all accomplished and how much we’ll miss our family that is our crew and our cast... and our fans. But at least we got to go out with a bang! I had an awesome time directing the last episode. I think I got to make almost every single cast member cry (on camera). How much fun was that?!
So let me raise my metaphorical glass to you all and thank you for being so loyal and so dedicated. I wish we could go on forever, but the party has come to an end. Be well and on behalf of all of us at The 4400 -- thank you, it’s been a pleasure."
Last week the studio ordered all sets, wardrobe and props to be sold off, an early indicator of the show’s demise.
"4400" averaged 1,424,000 viewers in USA’s target 25-54 demographic last summer, well shy of its other original series "The Starter Wife" (2,343,000), "Burn Notice" (2,334,000), "WWE Raw" (2,273,000), "Monk" (2,253,000) and "Psych" (2,197,000).
It did however rank above fellow Sunday entry "The Dead Zone" (1,385,000) which likewise is not expected to return.
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Jorja Fox won't be returning to CBS top-rated drama; actress says she has other things she wants to do before she gets "too old."
When this season ends, CSI will be losing one of its charter members. Initially reported by various online outlets, actress Jorja Fox has finally come forward and confirmed her intent to leave the show during this season.
Speaking with EW.com, the 39-year-old actress she won't be returning to her role as Sara Sidle after next month. However, unlike previous spats with the show's producers, her decision to leave apparently has nothing to do with her contract.
"There are all these things I want to do," Fox says in an interview. "Some are personal. Some are professional. And I really need to do some of them before I get too old."
Fox will reportedly be in only five more episodes of the top-rated crime drama, with her last airing in mid-November. She was asked to return for CSI's eighth season, but only wanted to return for a few episodes.
"If I thought the show were on its last legs, I would have tried harder to stay the course," she explained. "But I feel like it's going to be around for a while, so if I don't want some of those dreams to pass me by, I have to get off the ride for a while."
Fox has been on CSI since the show's debut in 2000.
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| Emmy Nominations: Here We Go Again | |
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It’s time again for the Emmys and here are the 2007 nominees:
Best Drama: Boston Legal, Grey’s Anatomy, Heroes, House, The Sopranos
Best Comedy: 30 Rock, Entourage, The Office, Two and a Half Men, Ugly Betty
Best Actress, Drama: Patricia Arquette (Medium), Minnie Driver (The Riches), Edie Falco (The Sopranos), Sally Field (Brothers & Sisters), Mariska Hargitay (Law & Order: SVU), Kyra Sedgwick (The Closer)
Best Actor, Drama: James Gandolfini (The Sopranos), Hugh Laurie (House), Denis Leary (Rescue Me), James Spader (Boston Legal), Kiefer Sutherland (24)
Best Reality Show: The Amazing Race, American Idol, Dancing with the Stars, Project Runway, Top Chef
Best Actor, Comedy: Alec Baldwin (30 Rock), Steve Carell (The Office), Ricky Gervais (Extras), Tony Shalhoub (Monk), Charlie Sheen (Two and a Half Men)
Best Actress, Comedy: America Ferrera (Ugly Betty), Tina Fey (30 Rock), Felicity Huffman (Desperate Housewives), Julia Louis-Dreyfus (The New Adventures of Old Christine), Mary-Louise Parker (Weeds)
It’s sad not to find any evidence of How I Met Your Mother (in the best comedy category), Battlestar Galactica has been robbed in the drama category, but it did get a best writing nomination!
Other exciting news:
- Supporting actor nominations for Terry O’Quinn and Michael Emerson on Lost and Masi Oka on Heroes!
- Guest star nods for Elizabeth Reaser and Kate Burton for Grey’s, Judith Light for Betty and Martin Landau for Entourage.
Rage against the machine in the comments below...
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Smallville Producer says a major new character is joining Clark next season.
The drama portrays a young Clark Kent before he becomes the Superman, and has brought in several characters from Superman lore. The upcoming season will continue that trend, according to Smallville executive producer Al Gough, with the introduction of another member of the Krypton clan.
Making her debut in the series next season will be Kara Zor-El--better known as Supergirl--Gough told TVGuide.com. Kara is Clark’s cousin and will not only possess many of the same powers as Clark, but a few more as well.
"She has all of Clark’s powers and a couple he doesn’t have yet," Gough told TVGuide.com. "She can fly. And her response when Clark asks why is ’obviously girls mature faster than boys.’"
In the story, Kara’s ship landed on Earth around the same time as Clark’s, but "there was a problem and she’s been in suspended animation for the last 16 years." A teenager when she escaped Krypton, she was initially meant to look after Clark. She awakes, still a teenager, for season seven because of one of the season-six finale’s explosive plot points--the big dam break.
With Clark now older than she is, Kara is able to spend more time being a teenage Earthling girl. "She becomes enamored with our culture--clothes and iPods and stuff," says Gough. "We’ll have a lot of fun as she gets acclimated."
The role of Supergirl in Smallville has not yet been cast.
Supergirl first appeared in comics in the late 1950s, two decades after Superman made his debut. Her backstory has undergone a series of changes since then, and she got her own film in 1984 and has appeared in the recent animated television series Justice League Unlimited and Superman.
Edited By Alun - Tuesday June 12th 2007 at 04:17
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After weeks of speculation, the end is in fact near. According to a high level source at Sci Fi Channel parent company NBC Universal, the show will dock after its next 22-episode season, slated to kick off in early 2008.
Sources say the decision came down from executive producers Ronald D. Moore and David Eick, who are said to feel creatively like this upcoming arc will be its last.
Rumors began circulating this month when two "Battlestar Galactica" stars, Edward James Olmos and Katee Sackhoff, referred to the next season as the show’s swan song while attending the annual Saturn Awards.
“It’s the final season, so it’s definitely going to be the most vicious,” Olmos told reporters. “As far as we know, in respects of the way we have this show constructed, this is the final season.”
From the Sci Fi Channel press release confirming the show is ending.
"This show was always meant to have a beginning, a middle and finally, an end. Over the course of the last year, the story and the characters have been moving strongly toward that end and we’ve decided to listen to those internal voices and conclude the show on our own terms," Eick and Moore said in the statement. "And while we know our fans will be saddened to know the end is coming, they should brace themselves for a wild ride getting there –- we’re going out with a bang ."
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CBS, which canceled the post-apocalyptic series Jericho last week, posted a statement in response to fan outcry that the show ended on a cliffhanger and promised it would wrap the show up in some fashion.
In a statement on the official show bulletin board, CBS Entertainment president Nina Tassler told fans: "We truly appreciate the commitment you made to the series, and we are humbled by your disappointment. In the coming weeks, we hope to develop a way to provide closure to the compelling drama that was the Jericho story."
In the season-one finale of Jericho, the denizens of Jericho, Kan., were preparing to go to war with a neighboring town. The episode ended with the sound of gunfire over a black screen. After the episode aired, CBS announced that the show would not be returning for a second season in the fall, leading fans to send a raft of e-mails to the network. (SyFyPortal reported on some of the fan reaction.)
"We have read your e-mails over the past few days and have been touched by the depth and passion with which you have expressed your disappointment," Tassler wrote. "Please know that canceling a television series is a very difficult decision. Hundreds of people at the network, the production company and the incredibly talented creative team worked very hard to build and serve the community for this show—both on-air and online. It is a show we loved, too. Thank you for supporting Jericho with such passion."
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Is Father of the pride the best new show? |
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